Ghotki artist Seffy Soomro finally retrieves his paintings

Ghotki-based artist Seffy Soomro has successfully retrieved his ‘lost’ paintings from Frere Hall, thanks to a social media campaign that prompted action from the Sindh government.

In an emotional video shared on Facebook, Soomro celebrated his triumph while showcasing his recovered artwork.

“I’m at Frere Hall, and I was supposed to collect my paintings today. As you can see, I’m here, and I’ve successfully reclaimed them,” he said, visibly moved.

Soomro expressed his appreciation to everyone who supported his cause, emphasizing that their backing was needed in achieving this result.

He also mentioned that he has requested a royalty fee from Frere Hall, citing unauthorized use of his artwork. “I have asked for a royalty fee because my paintings were used for events, dramas, and other gatherings. I want to thank everyone who amplified my voice and brought attention to this issue, which helped me get my paintings back.”

Soomro’s journey from losing his work to reclaiming it has sparked conversations about the protection of artists’ rights and the misuse of creative property in public venues.

For context, Soomro had submitted his artwork for an exhibition at Frere Hall in 2017 but never received it back. He was informed that the paintings had been lost, only to discover them in 2024 during an episode of the popular TV serial Kabhi Main Kabhi Tum.

In response, Soomro took to social media to accuse Frere Hall of misappropriating his work. His video gained significant attention, leading the Sindh culture minister to initiate an inquiry into the situation.

The investigation concluded that there was a “misunderstanding” between Soomro and the exhibition center. Contrary to his claims, the report indicated that the artist had “not taken a serious interest” in retrieving his paintings.

However, it was clarified that his artwork had never been returned or properly stored; instead, they remained at Frere Hall, “shifting from one corner to another due to exhibitions over the years.”

Soomro criticized the authorities for conducting a biased investigation.

Filmmaker Sharmeen Obaid-Chinoy was among those who voiced concerns regarding the Sindh government’s handling of the case.

She emphasized the need for the government to take more substantial actions to protect Sindh’s art and culture. “Why doesn’t the Sindh government form an independent committee with real authority, one capable of conducting impartial investigations?” Chinoy questioned.

Highlighting ongoing issues related to the Karachi Museum, she pointed out that “rare artifacts are being sold and replaced with replicas.”

She asserted that such measures would reflect a genuine commitment to preserving the province’s rich heritage, calling it a “rare and commendable” step to protect its cultural assets.

Soomro’s paintings were part of his thesis for the University of Sindh’s Fine Arts Department.